raga alapana造句

• He indulged in elaborate raga alapana, based on different ragas while rendering padyams.
• He was renowned for his adept skills at singing kalpana swarams, neraval, and raga alapana.
• Performers then begin the main compositions with a section called " raga alapana " exploring the " raga ".
• He was adept in all the aspects of Carnatic music especially Raga Alapana, Thanam, Pallavi, Niraval, and Kalpana swaram.
• Kalpanaswaram is performed in a Carnatic Concert for the main song, the singer chooses to perform the " Raga Alapana ".
• Kasim and Babu are noted for both the raga alapana and kriti rendering ( in " gayaki style " ), especially Dhikhshithar kritis.
• He achieved high position through his outstanding control over the instrument, rendering the Krities in the Gayaki style and for his extraordinary style of Raga Alapana.
• He writes in the Journal of the Music Academy that Pushpavanam developed raga alapana leisurely, that his wonderful voice was noted for power and sinuous beauty and that it was difficult to see or talk to him.
• Theoretically, this ought to be the easiest type of improvisation, since the rules are so few, but in fact, it takes much skill to sing a pleasing, comprehensive ( in the sense of giving a " feel for the ragam " ) and, most importantly, original raga alapana.